Ah, where to begin discussing our return to the stage after six long months without?
Let's just say we practiced twice, have no merch, and had a great time, as usual.
Lots of people turned out in costume for this Sat. show. Our favorites were the street basketball team that kept running into the traffic outside to get in some quality hoops (but, you know, minus the hoops).
We played 2nd on the four-band bill and that's our sweet spot. We're not too tired and folks typically get drawn in by the first band, stay for the 2nd and (hopefully!) 3rd band, then start to trickle out for the 4th. That's the pattern we witnessed at this show, too.
Sunken Chest kicked things off in their rawkin', naughty-cal way, then we got up there. Choosing not to make set lists prior to taking the stage ("choosing" - riiiiight) we played it a bit by ear but felt pretty good about it all. I could tell midway through Diet Diet My Darling that my voice was in good form - something I'd been paranoid about during our previous two practices. I also remembered what Dr CHOAD told me, too: "Lousy practice, great show; great practice, lousy show." Amen to that.
Baloney had his share of candy to throw out, as did CHOAD, who scored a direct hit on the USS Hamzinger with a Ding Dong squarely placed amidships. I only got hit with three others that night so it's good we stick to the softer goodies. The crowd was a fun mix and really seemed to both get into us and to get us. That's nice when that happens, lemme tell ya'. They were even as outraged as us when I announced that, for some inexplicable reason, The Misfats would not be opening for Danzig when he comes through PDX this Sunday. I could give 'em all a hug for that response, really I could.
The rest of the set was fun and longer than we'd anticipated. We really did sound like we hadn't taken any time off, too, and that felt pretty darn good as well. The "Nikki Sixx" from Same Old Situation later told me that he was at the bar, in the far rear of the club, and people were singing along to us even there. Heck, I'm even using the photos on this post from a friend who I'll now call a fan. Everyone seemed to be into both us and having a good time. I ended the set feigning a heart attack (and getting out of the crowd's way to witness CHOAD) but didn't go completely down. An older audience member later scolded me, saying I should have, that they had placed bets on which one of us would drop. I let her know, "Hey, once my tonnage goes down it's damn hard to get it back up again, ya' know?" But it seems like a good idea for the future. Hmmm...
Motley Crue tribute act Same Old Situation followed, nailing their impersonations to a capital "T". Motorbreath followed, sticking primarily to the first four Metallica albums, much to the larger crowd's chagrin. When they launched into Battery, tho', CHOAD and I were right there, punching that one in. Good guys who will not have their enthusiasm drowned out by anything - always a good show with Motorbreath on board, lemme tell ya'.
So, all in all, a good night for a return show. Thanks again to everyone that came or stuck around for us.
(Pix courtesy of The Mighty Cesar)
Wednesday, October 31, 2007
Friday, October 26, 2007
Showtime!
Just gotta love this pic - from the City Island, NY, show, in June 2006.
See you all this Saturday!
See you all this Saturday!

Wednesday, October 24, 2007
MISFATS TRIUMPHANT RETURN! MISFATS TRIUMPHANT RETURN!
That's right, folks - our now-annual Halloween show is taking place on Saturday, Oct. 27th, in lovely downton Portland, at the Ash St. Saloon.
The lineup's changed quite a bit since first we signed on but, at last look, it was listed as such:
Sat Oct 27th
$6
Music at 9:15pm
Monster Mash-Bash ~ Come as your Favorite Monster
Motorbreath - Metallica Tribute Band
Same Ol' Situation - Motely Crue Tribute Band
The Misfats - Misfits Tribute band
Sunken Chest - Pirate Cover Band
That is one heckuva lineup, fatfiends! Come on out and see how rusty we are! See our snobby asses get handed to us when we play our first show since 2007 SxSw! Weep with joy, reek of booze, and revel in our Legacy of Obesity!
The lineup's changed quite a bit since first we signed on but, at last look, it was listed as such:
Sat Oct 27th
$6
Music at 9:15pm
Monster Mash-Bash ~ Come as your Favorite Monster
Motorbreath - Metallica Tribute Band
Same Ol' Situation - Motely Crue Tribute Band
The Misfats - Misfits Tribute band
Sunken Chest - Pirate Cover Band
That is one heckuva lineup, fatfiends! Come on out and see how rusty we are! See our snobby asses get handed to us when we play our first show since 2007 SxSw! Weep with joy, reek of booze, and revel in our Legacy of Obesity!
Monday, June 25, 2007
Hiatus
Noun, to take a well-deserved break so we don't burn out on this and so we don't burn YOU out on this, either.
Look for the 'fats to return Sept. or Oct., 2007.
More info will be posted here when we gots it. Meanwhile, get out and support the bejeebus outta local bands.
Look for the 'fats to return Sept. or Oct., 2007.
More info will be posted here when we gots it. Meanwhile, get out and support the bejeebus outta local bands.
Wednesday, March 28, 2007
Monday, March 26, 2007
More proof
that we really were at SXSW!
One attendee took short clips of many of the bands he saw; the compiled video - featuring us about 2/3 of the way through - is available here.
A Canadian attendee reported on it in their local paper, nicely for us as well. Houston was in attendance, too, and gives an unique perspective here. Note who's piccy is featured in both articles?
And here was Portland's own The Mercury's take on it all. Just draw your attention to that last line and you'll know what it's like to be a non-emo or pop or post-punk band in PDX.
One attendee took short clips of many of the bands he saw; the compiled video - featuring us about 2/3 of the way through - is available here.
A Canadian attendee reported on it in their local paper, nicely for us as well. Houston was in attendance, too, and gives an unique perspective here. Note who's piccy is featured in both articles?
And here was Portland's own The Mercury's take on it all. Just draw your attention to that last line and you'll know what it's like to be a non-emo or pop or post-punk band in PDX.
Yes, the Misfats did indeed play SXSW 2007
Only now am I just recovering, I think. That's alotta walking and standing for large folks, to be sure, but very much well worth it. We arrived in Austin on Friday afternoon. After some hotel hassle and logistics wrangling we headed down to the convention center and retrieved our wristbands and badge. These magical items were our wampum for playing on Sunday night and they allowed us entry pretty freely the nights' prior.
After drinking much, eating more, seeing many, many bands, and being brought low by the rapturous frozen blended joy known as "Purple" (from the messican joint next door to our hotel) we were finally ready for our time in the sun. Sunday night only featured, like, three locations for music so it was a nice, easy day - altho' Emo's did have another stage in their main bar area going on most of the night as well. I think I saw many people retreat there after peeking in on us, to be certain.
But at least Emo's carried Sparks so we were well set. It's a fantastic place, for those that haven't been or played, btw. The green room is in a sorta quonset hut on the top of the place and you take some rickety, narrow stairs to access it. While you're doing that, though, the stage folks are soundchecking your gear - yes, you heard it correctly. That was a nice new thing for us, fo' sho'. We'd brought guitars and cymbals and the stage manager (I think?) got us a backline of gear from one of the earlier acts of the night to use for our own flatulent purposes. That, too, was pretty sweet.
After a "confrontational" opening punk act that was pretty fun, there was Big Balls, a Bon Scott-era AC/DC tribute. I gotta say, their lead singer had some serious pipes and did a spot-on sound, even tho' the local freebie rag wouldn't publish the word "balls" in its entirety in the ad for the show. The Jazzus Lizard was up next, performing jazz covers of Jesus Lizard songs. A few folks hung around but not many; altho', to be fair, folks just moved from one section of the bar to the other during acts they didn't "get" or care much for (perspective is everything, innit?). The Suffragettes were up next, a stellar, spot-on Bowie tribute covering "Spiders From Mars" in its entirety. This was only their second show but you'd never know it as they were a great lead-in for us and provided alot of positive energy for the crowd to feed upon.
We got to the stage at about 12:45am and proceeded to tear into things proper. Maybe it was the stature of the event or the amount of Sparks we'd consumed but we all seemed pretty stoked AND virulent in our trash-talking. Normally, there's a fair amount of conversation I'll generate but it's usually just me, not everyone in the freakin' band. That, too, was a nice change. Here are some highlights of our set:
Would we do it again? Absolutely! Everyone treated us pretty well, we made some good connections with BloodHag and Jello Biafra again, and had a great time all around. Maybe we'll pull this thing out, dust it off, and repeat next year? Who knows. As for this present time, tho', let the pictures tell the remainder of the tale...
Us on stage, walkin' like we're talkin':

I love this guy's reaction to our patented "BackFat"(tm):
Us with the Emo's sign in the background to prove it (note, too, Skullface Fan front & center):
Again, gotta love the varied crowd reactions to us taking to the stage:
An artsy interpretation of the 'fats:
After drinking much, eating more, seeing many, many bands, and being brought low by the rapturous frozen blended joy known as "Purple" (from the messican joint next door to our hotel) we were finally ready for our time in the sun. Sunday night only featured, like, three locations for music so it was a nice, easy day - altho' Emo's did have another stage in their main bar area going on most of the night as well. I think I saw many people retreat there after peeking in on us, to be certain.
But at least Emo's carried Sparks so we were well set. It's a fantastic place, for those that haven't been or played, btw. The green room is in a sorta quonset hut on the top of the place and you take some rickety, narrow stairs to access it. While you're doing that, though, the stage folks are soundchecking your gear - yes, you heard it correctly. That was a nice new thing for us, fo' sho'. We'd brought guitars and cymbals and the stage manager (I think?) got us a backline of gear from one of the earlier acts of the night to use for our own flatulent purposes. That, too, was pretty sweet.
After a "confrontational" opening punk act that was pretty fun, there was Big Balls, a Bon Scott-era AC/DC tribute. I gotta say, their lead singer had some serious pipes and did a spot-on sound, even tho' the local freebie rag wouldn't publish the word "balls" in its entirety in the ad for the show. The Jazzus Lizard was up next, performing jazz covers of Jesus Lizard songs. A few folks hung around but not many; altho', to be fair, folks just moved from one section of the bar to the other during acts they didn't "get" or care much for (perspective is everything, innit?). The Suffragettes were up next, a stellar, spot-on Bowie tribute covering "Spiders From Mars" in its entirety. This was only their second show but you'd never know it as they were a great lead-in for us and provided alot of positive energy for the crowd to feed upon.
We got to the stage at about 12:45am and proceeded to tear into things proper. Maybe it was the stature of the event or the amount of Sparks we'd consumed but we all seemed pretty stoked AND virulent in our trash-talking. Normally, there's a fair amount of conversation I'll generate but it's usually just me, not everyone in the freakin' band. That, too, was a nice change. Here are some highlights of our set:
- Foil launching into his big guitar solo out over the crowd, just going for it balls-out, only to discover he'd accidentally unplugged his guitar in stepping out there
- Our two Ding Dong eating contestants who failed to grasp the concept that this was an eating contest and proceeded to throw said Ding Dongs out into the crowd
- Said female contestant flash titties and nearly raping Jerry Baloney
- Another female flashing us titty and only I see it
- Female contestant trying to jump up on me only to rip my shoulder to shreds with her rings and such
- A fan showing up in fantastic skullface makeup
- A drunk, fun-loving, loyal crowd sticking around on a Sunday night until 2am
Would we do it again? Absolutely! Everyone treated us pretty well, we made some good connections with BloodHag and Jello Biafra again, and had a great time all around. Maybe we'll pull this thing out, dust it off, and repeat next year? Who knows. As for this present time, tho', let the pictures tell the remainder of the tale...
Us on stage, walkin' like we're talkin':
I love this guy's reaction to our patented "BackFat"(tm):
Wednesday, February 14, 2007
SxSw - update!
In case you didn't know, we're playing the mighty SxSw this year (don't ask me how/why, okay? 'cuz I just don't know). They recently posted the list of bands playing there in support of The Misfats, too. Check it out here. Hopefully, soon, they'll post the venues and lineups. Just an FYI, we're playing the main stage at Emo's on Sunday, 18 March.
Digg this!
Digg this!
Friday, February 09, 2007
Just glad to be here...
This past Wednesday witnessed two great events in a single night: the return of Darkbuster to the comfy confines of PDX and the resurrection of iknowkungfu. Red Flag Warning filled in 'round the edges nicely with splendidly noisy punk, too. Oh, the 'fats played last but, by then, we'd had our fun of the night. We were more like the buddy that drives your car home 'cuz you had too much fun (you hearin' me, Craft?).
In I think Year 2000 'fu played with Darkbuster in Vancouver, WA, in a place that had to be closed for good afterward (I'm not kidding). We had a fabulously drunk evening and remember it fondly. DB went on their way and on to hiatus; 'fu, also, went on their way and on to hiatus (for all intents and purposes). Then, about 15 months ago, DB came through our neck of the woods again, this time in support of the Dropkicks (and Gang Green!). This encounter led to the 'fats crashing into their hometown of Boston (rough night) and playing in Providence, RI, with them, building yet another show of fantastic memory and proportions. We just all seem to jell exceedingly well - must be the booze talkin'.
So pleased were we to have DB come out our way yet again that iknowkungfu decided to reform and join in the festivities with the 'fats. The original show with them on a Friday got swapped out for a Wednesday night gig. Were we worried? Not in the slightest! Well, okay, maybe a little - we wanted this to be a great stop for them on their tour, to spread the infectious love of their music and live shows amongst our fellow natives. But after seeing the sheer number of friends, family, and fans come out and stay out and put it all out there on a school night - well, let's say our fears were obviously unjustified. You don't keep around bands as much fun as DB and 'fu without relying on their crowd-gathering, crowd-pleasing ability. (Sure the 'fats gather a crowd but it's like a group coming over for a look at the fat guy stuck in the booth at McDonald's.)
A new condition did arise, tho', upon arrival at the Ash St. Apparently Danny, DB's drummer, had some "boy-stuff issues" and had to go to the emergency room. Concern over his well being abounded as we sought out potential backup drummers ("Do you know what a drum kit is? No? Okay, get lost"). Thankfully he was alright and showed up a little later.
iknowkungfu started off the evening then and, Sweet Mother of All, were they loud. I don't remember 'em being this loud when I saw 'em so often previously. Maybe that's what a break does for you? In any case and inebriation aside, they brought it fast and furious and fun. DB's Lenny even got up to perform "Liquor" with them and it just felt right. Looking around the crowd, with them on stage, you did a little bit of the Time Warp to four or five years previous. Like old friends you haven't seen in a long time you just pick up immediately where you left off and it feels damn good.
After RFW finished DB got setup. It took 'em a little longer than usual due to the fact that their horn section had flown into town to join their tour that day. How cool is that? So, with sax & trombone ready at the wings, DB just tore into it and didn't relent. The crowd was very enthusiastic in all the ways you want 'em to be. It was nice to dust off the ol' dance moves, too, in only the way seeing DB in action can give you. The crowd called out for more and they gave us one additional; then Lenny apologized all over the place for "daring" to cut into the Misfats set time. He was, like, honestly concerned. And I just kept laughing at the notion. I think that's what makes us work together so well - just honest blokes with no egos getting to play music they love in front of folks that wanna hear it. Makes you feel good, too.
So, late in the day, the 'fats appear. We were pretty tired, for the most part, and it felt kinda laborious. I know my voice had had it for the night and that ain't good. I don't wanna disappoint but there's only so much you can muster when you're pretty drunk and obese, ya' know? Huh - we should write a song about it... All in all, we performed, not our best set but definitely well received by the many kind souls that stuck it out late on a Wednesday for us and the other bands.
Again, this is one of those shows we would've been at much less played it. It's an honor to share the stage with the likes of these bands, a great motivator, and just a freakin' blast to be had by all.
Now I already want DB to come back through so we can do it again. Oh, well.
In I think Year 2000 'fu played with Darkbuster in Vancouver, WA, in a place that had to be closed for good afterward (I'm not kidding). We had a fabulously drunk evening and remember it fondly. DB went on their way and on to hiatus; 'fu, also, went on their way and on to hiatus (for all intents and purposes). Then, about 15 months ago, DB came through our neck of the woods again, this time in support of the Dropkicks (and Gang Green!). This encounter led to the 'fats crashing into their hometown of Boston (rough night) and playing in Providence, RI, with them, building yet another show of fantastic memory and proportions. We just all seem to jell exceedingly well - must be the booze talkin'.
So pleased were we to have DB come out our way yet again that iknowkungfu decided to reform and join in the festivities with the 'fats. The original show with them on a Friday got swapped out for a Wednesday night gig. Were we worried? Not in the slightest! Well, okay, maybe a little - we wanted this to be a great stop for them on their tour, to spread the infectious love of their music and live shows amongst our fellow natives. But after seeing the sheer number of friends, family, and fans come out and stay out and put it all out there on a school night - well, let's say our fears were obviously unjustified. You don't keep around bands as much fun as DB and 'fu without relying on their crowd-gathering, crowd-pleasing ability. (Sure the 'fats gather a crowd but it's like a group coming over for a look at the fat guy stuck in the booth at McDonald's.)
A new condition did arise, tho', upon arrival at the Ash St. Apparently Danny, DB's drummer, had some "boy-stuff issues" and had to go to the emergency room. Concern over his well being abounded as we sought out potential backup drummers ("Do you know what a drum kit is? No? Okay, get lost"). Thankfully he was alright and showed up a little later.
iknowkungfu started off the evening then and, Sweet Mother of All, were they loud. I don't remember 'em being this loud when I saw 'em so often previously. Maybe that's what a break does for you? In any case and inebriation aside, they brought it fast and furious and fun. DB's Lenny even got up to perform "Liquor" with them and it just felt right. Looking around the crowd, with them on stage, you did a little bit of the Time Warp to four or five years previous. Like old friends you haven't seen in a long time you just pick up immediately where you left off and it feels damn good.
After RFW finished DB got setup. It took 'em a little longer than usual due to the fact that their horn section had flown into town to join their tour that day. How cool is that? So, with sax & trombone ready at the wings, DB just tore into it and didn't relent. The crowd was very enthusiastic in all the ways you want 'em to be. It was nice to dust off the ol' dance moves, too, in only the way seeing DB in action can give you. The crowd called out for more and they gave us one additional; then Lenny apologized all over the place for "daring" to cut into the Misfats set time. He was, like, honestly concerned. And I just kept laughing at the notion. I think that's what makes us work together so well - just honest blokes with no egos getting to play music they love in front of folks that wanna hear it. Makes you feel good, too.
So, late in the day, the 'fats appear. We were pretty tired, for the most part, and it felt kinda laborious. I know my voice had had it for the night and that ain't good. I don't wanna disappoint but there's only so much you can muster when you're pretty drunk and obese, ya' know? Huh - we should write a song about it... All in all, we performed, not our best set but definitely well received by the many kind souls that stuck it out late on a Wednesday for us and the other bands.
Again, this is one of those shows we would've been at much less played it. It's an honor to share the stage with the likes of these bands, a great motivator, and just a freakin' blast to be had by all.
Now I already want DB to come back through so we can do it again. Oh, well.
Sunday, January 21, 2007
The 'fats Who Came In From the Cold
Great show last Saturday at the Ash Tray. I was a bit worried that the recent cold snap would keep folks off the streets and outta the clubs. I was certainly and gladfully wrong.
Getting to the place early soundgal-and-booker extraordinaire Heather laments that there's only one heater working in the place. Fantastic. Turns out, thanks to the populous crowd, that's actually a blessing for the evening.
The show starts about 9:40pm with Shock Troops, a local Cock Sparrer tribute band. Thankfully, I didn't have to keep spending my time telling people who Cock Sparrer were after these guys started in. I go back a ways with my appreciation of that band so I was one of the (I think) six others who could sing along, every line of every song they covered. They stuck pretty much to the album of the same name, "Shock Troops," plus a couple others thrown in for good measure (like "Because You're Young"). I think others in the audience who weren't as familiar with the original band still got into it, too, tho'. I mean, how could you not? Take a listen to "Take 'Em All" or "We're Comin' Back," drown a few beers, and it's easy to see its appeal.
Next up were Motorbreath. I (and several other 'fats) are particular about our Metallica, thinking that that band's true creativity died with Cliff. I think Motorbreath begrudgingly used a couple tracks off of the "black" album but, otherwise, stuck to the holy trinity of source material, "Kill 'Em All," "Ride the Lightning," and "Master of Puppets." And they freakin' nailed it, my friends. These are some highly talented shreddists tackling this stuff and they do it severe justice. We were very happy to have shared a stage with 'em and look forward to future opportunities. The cross-pollination of fans between us and them is pretty strong, too - a natural fit, if you will - and provides great entertainment for all sorts of fans. (There - my marketing pitch is now in place and DONE!)
The crowd usually seems to swell for the 2nd band and, in Motorbreath's case, deservedly and understandably so. However, as we hit the stage around 12:15am, the crowd was still pretty thick and into it. They had a pit going for just about our entire set which we haven't seen in a long time (first John Henry's show in Eugene, to be exact), and were pretty much unruly in a fun sense. One showgoer got a bit too full of himself, tho', and got posse-ejected out the side door. That was fun to watch. Oh and someone threw a glass tumbler at us which wasn't so cool - thankfully, my cat-like reflexes, earned at the hands of countless sifus over time and geography, prevented catastrophe. I can understand the impulse but come on - a heavy glass tumbler? Think about it, genius - If you intended harm, why'd you stay and throw that at the very end of our set? And if you were just drunk and having a good time, why waste your glass when the bar's about 10 steps away from you? Ah, the nature of playing last, playing late, and playing well.
Because we did play well, considering we hadn't played in about 9 weeks and only had a couple practices prior. "Pabstdrinkers" was dusted off ("Braineaters," if you're interested) and presented to an eager audience, even. And when 'fats fiend Flash tried to call it early we dragged him to the punishment seat at the front of the stage and played on him - not near him, not by him, but on him. I don't think he'll ever get the stank of Baloney's ass or my gut off of him. He's ruined forever now - precisely what he deserves for trying to leave our glorious light before we release him!
Next show is a weeknight affair, back at the Ash in downtown PDX, but very well worth it. Darkbuster returns and reunites with us after our summer success and local heroes iknowkungfu reformed just for this show. Joining us all for this mid-week massacre is The Binge, too. If you're in the area, make it to this 'cuz it's gonna be quite a show (and now add, in the creepy voice of the Men's Wearhouse owner) I guarantee it...
Getting to the place early soundgal-and-booker extraordinaire Heather laments that there's only one heater working in the place. Fantastic. Turns out, thanks to the populous crowd, that's actually a blessing for the evening.
The show starts about 9:40pm with Shock Troops, a local Cock Sparrer tribute band. Thankfully, I didn't have to keep spending my time telling people who Cock Sparrer were after these guys started in. I go back a ways with my appreciation of that band so I was one of the (I think) six others who could sing along, every line of every song they covered. They stuck pretty much to the album of the same name, "Shock Troops," plus a couple others thrown in for good measure (like "Because You're Young"). I think others in the audience who weren't as familiar with the original band still got into it, too, tho'. I mean, how could you not? Take a listen to "Take 'Em All" or "We're Comin' Back," drown a few beers, and it's easy to see its appeal.
Next up were Motorbreath. I (and several other 'fats) are particular about our Metallica, thinking that that band's true creativity died with Cliff. I think Motorbreath begrudgingly used a couple tracks off of the "black" album but, otherwise, stuck to the holy trinity of source material, "Kill 'Em All," "Ride the Lightning," and "Master of Puppets." And they freakin' nailed it, my friends. These are some highly talented shreddists tackling this stuff and they do it severe justice. We were very happy to have shared a stage with 'em and look forward to future opportunities. The cross-pollination of fans between us and them is pretty strong, too - a natural fit, if you will - and provides great entertainment for all sorts of fans. (There - my marketing pitch is now in place and DONE!)
The crowd usually seems to swell for the 2nd band and, in Motorbreath's case, deservedly and understandably so. However, as we hit the stage around 12:15am, the crowd was still pretty thick and into it. They had a pit going for just about our entire set which we haven't seen in a long time (first John Henry's show in Eugene, to be exact), and were pretty much unruly in a fun sense. One showgoer got a bit too full of himself, tho', and got posse-ejected out the side door. That was fun to watch. Oh and someone threw a glass tumbler at us which wasn't so cool - thankfully, my cat-like reflexes, earned at the hands of countless sifus over time and geography, prevented catastrophe. I can understand the impulse but come on - a heavy glass tumbler? Think about it, genius - If you intended harm, why'd you stay and throw that at the very end of our set? And if you were just drunk and having a good time, why waste your glass when the bar's about 10 steps away from you? Ah, the nature of playing last, playing late, and playing well.
Because we did play well, considering we hadn't played in about 9 weeks and only had a couple practices prior. "Pabstdrinkers" was dusted off ("Braineaters," if you're interested) and presented to an eager audience, even. And when 'fats fiend Flash tried to call it early we dragged him to the punishment seat at the front of the stage and played on him - not near him, not by him, but on him. I don't think he'll ever get the stank of Baloney's ass or my gut off of him. He's ruined forever now - precisely what he deserves for trying to leave our glorious light before we release him!
Next show is a weeknight affair, back at the Ash in downtown PDX, but very well worth it. Darkbuster returns and reunites with us after our summer success and local heroes iknowkungfu reformed just for this show. Joining us all for this mid-week massacre is The Binge, too. If you're in the area, make it to this 'cuz it's gonna be quite a show (and now add, in the creepy voice of the Men's Wearhouse owner) I guarantee it...
Wednesday, November 01, 2006
Last for the year 2006
We trekked down to Eugene this past Friday and, for the first time, it wasn't raining on us at all. This was our 2nd trip down in as many months and both shows were equally attended, it seems. The crowd at each was enthusiastic, though, and that went a long way to make up for the ample room on the dance floor...
We played at John Henry's again which seems to be a 2nd home for us, now that we've played there 3x. PBArmy, Cap-Gun Suicide, and our fave Turbojugeund band Burt Reynolds Overdrive filled out the rest of the lineup this time 'round. The music was good but hardly anyone seemed to come out. But, again, the few that did were very enthusiastic about us and about the Halloween theme for the night. I'd say about 80% of the patrons were in costume. My fave was the Knight of PBR, impressively fashioning a well-made suit of "armor" out of PBR cases and cans. (Apparently, he's part of a whole crew of beer-themed knights - wish I could've seen 'em all!)
We went on around 12:30am and, thanks to pre-show drinks at Luckey's, a parking lot Sparks, 4 drink tickets a piece, and amicable bartending gals we were nice and well along by the time we got to the stage. I'm told by my bandmates that the mix was great but I couldn't hear a bloody thing - which is alright for me since then I'll sing harder and louder. I'm glad Foil, Baloney, and Dr C.H.O.A.D. could hear themselves and each other, tho'. A nice change from the week prior, fo' sho'. And, in another reversal, the crowd was throwing candy at us! In my between-song-banter, too, I remember looking down and seeing a sucker and a cigarette butt on the floor. I commanded Baloney, "Eat that cigarette butt, you fucking pig!" only to realize immediately and say out loud, "Wow - that's one of my bandmates and best friends and I just called him a fucking pig. Nice!" It was that kind of evening - dirty fun for the whole family. Capping the evening at the bar a very friendly fan told me all about her Irritable Bowel Syndrome. We must bring it outta folks, ya' know? I think that's what C.H.O.A.D. had on the way down to the show, too, thanks to a stop at the Smokin' Swine in Salem - pork fat rules! On that note, tho', we headed back to our dead-hooker hotel and crashed out thoroughly. A nice, easy, pleasant show all 'round.
We played at John Henry's again which seems to be a 2nd home for us, now that we've played there 3x. PBArmy, Cap-Gun Suicide, and our fave Turbojugeund band Burt Reynolds Overdrive filled out the rest of the lineup this time 'round. The music was good but hardly anyone seemed to come out. But, again, the few that did were very enthusiastic about us and about the Halloween theme for the night. I'd say about 80% of the patrons were in costume. My fave was the Knight of PBR, impressively fashioning a well-made suit of "armor" out of PBR cases and cans. (Apparently, he's part of a whole crew of beer-themed knights - wish I could've seen 'em all!)
We went on around 12:30am and, thanks to pre-show drinks at Luckey's, a parking lot Sparks, 4 drink tickets a piece, and amicable bartending gals we were nice and well along by the time we got to the stage. I'm told by my bandmates that the mix was great but I couldn't hear a bloody thing - which is alright for me since then I'll sing harder and louder. I'm glad Foil, Baloney, and Dr C.H.O.A.D. could hear themselves and each other, tho'. A nice change from the week prior, fo' sho'. And, in another reversal, the crowd was throwing candy at us! In my between-song-banter, too, I remember looking down and seeing a sucker and a cigarette butt on the floor. I commanded Baloney, "Eat that cigarette butt, you fucking pig!" only to realize immediately and say out loud, "Wow - that's one of my bandmates and best friends and I just called him a fucking pig. Nice!" It was that kind of evening - dirty fun for the whole family. Capping the evening at the bar a very friendly fan told me all about her Irritable Bowel Syndrome. We must bring it outta folks, ya' know? I think that's what C.H.O.A.D. had on the way down to the show, too, thanks to a stop at the Smokin' Swine in Salem - pork fat rules! On that note, tho', we headed back to our dead-hooker hotel and crashed out thoroughly. A nice, easy, pleasant show all 'round.
Wednesday, October 25, 2006
A baker's dozen
That's what our attendance was at our show last Friday at Outlaws.
Promotion had been fairly heavy for this club that we had yet to play. Normally a combination of country-western, boot-scootin' goodness and sad strip club with ridiculous (for Oregon, ruled as it is by the utterly fascistic OLCC) drink specials they've started doing "Tribute Band Fridays." Our friends from The Romanes and We Got the Meat played the Friday previous but we've no idea if they fared any better than us.
Large print and even, for a first for us, radio spots called out to the locals for attendance. Given when these ads ran I'd have to say the club paid a pretty penny or two on advertising. And yet, with all that as well as our enormous sexual appeal we had maybe 12 people in the audience, in addition to our co-conspirators for the night, Blondage. We even delayed starting to see if others would appear.
Don't get me wrong - I don't think this was the club's fault at all. They seriously promoted this show and were excellent to us all night long, even refusing to take their cut of the door. I think the real issue is with locals and their respective "spheres of comfort." The local rags didn't mention the show at all, as they so often do for so, so many local bands - they're too busy getting off with the likes of The Decemberists or Eliot Smith or freakin' Storm or some band that all the other publications are already freakin' covering. If you're a local, free newspaper, keeping your target demo abreast of what's going on, what's "hip & relevant" and such, wouldn't you think trying to find good, local musical talent would take priority over fellating bands that get tons of coverage anyway?
Add to that the fact that the hipster community seems resolute to not stray from the 3-block radius of downtown PDX and the clubs it offers and, well, it becomes true that the prophet is only without honor in his hometown, ya' know? It's not like we are a huge talent or think more highly of ourselves, either - we've just seen this time and again where bands that are supremely talented (e.g. The Odditors) and obscenely popular outside of the city (e.g. 800 Octane) get ZERO press and ZERO interest due to this combination of haughty ignorance and petty arrogance. It's just highly disheartening for a band like us - who just enjoy having a good time and like to have everyone at our shows do the same - to play underattended shows in our own backyard when, earlier in the year, we played to enthusiastic, overwhelming, packed crowds on the other side of the damn country.
Okay, now, stepping off the soapbox (for now), our set wasn't too shabby, I think. Although the other band members thought we sounded off I thought we were fairly tight. Plus, thanks to the Tower of Babel of drum risers, Baloney, Foil, and I had plenty of stage space to get our freak on. Dr C.H.O.A.D., high from his lofty perch, had zero mix to work off of, though, but, to his credit, soldiered on and kept the beats going. We still had fun and I kept the chatter rolling in between gasping for air and in between each song. It was a good place for a show that should be a packed room but maybe next time, ya' know?
This Friday, we return to Eugene and John Henry's to headline a sorta-Halloween show. We've been very well received each time we've played there thus far so let the pizza-slingin' goodness (at a place where they don't even sell the stuff) begin!
Promotion had been fairly heavy for this club that we had yet to play. Normally a combination of country-western, boot-scootin' goodness and sad strip club with ridiculous (for Oregon, ruled as it is by the utterly fascistic OLCC) drink specials they've started doing "Tribute Band Fridays." Our friends from The Romanes and We Got the Meat played the Friday previous but we've no idea if they fared any better than us.
Large print and even, for a first for us, radio spots called out to the locals for attendance. Given when these ads ran I'd have to say the club paid a pretty penny or two on advertising. And yet, with all that as well as our enormous sexual appeal we had maybe 12 people in the audience, in addition to our co-conspirators for the night, Blondage. We even delayed starting to see if others would appear.
Don't get me wrong - I don't think this was the club's fault at all. They seriously promoted this show and were excellent to us all night long, even refusing to take their cut of the door. I think the real issue is with locals and their respective "spheres of comfort." The local rags didn't mention the show at all, as they so often do for so, so many local bands - they're too busy getting off with the likes of The Decemberists or Eliot Smith or freakin' Storm or some band that all the other publications are already freakin' covering. If you're a local, free newspaper, keeping your target demo abreast of what's going on, what's "hip & relevant" and such, wouldn't you think trying to find good, local musical talent would take priority over fellating bands that get tons of coverage anyway?
Add to that the fact that the hipster community seems resolute to not stray from the 3-block radius of downtown PDX and the clubs it offers and, well, it becomes true that the prophet is only without honor in his hometown, ya' know? It's not like we are a huge talent or think more highly of ourselves, either - we've just seen this time and again where bands that are supremely talented (e.g. The Odditors) and obscenely popular outside of the city (e.g. 800 Octane) get ZERO press and ZERO interest due to this combination of haughty ignorance and petty arrogance. It's just highly disheartening for a band like us - who just enjoy having a good time and like to have everyone at our shows do the same - to play underattended shows in our own backyard when, earlier in the year, we played to enthusiastic, overwhelming, packed crowds on the other side of the damn country.
Okay, now, stepping off the soapbox (for now), our set wasn't too shabby, I think. Although the other band members thought we sounded off I thought we were fairly tight. Plus, thanks to the Tower of Babel of drum risers, Baloney, Foil, and I had plenty of stage space to get our freak on. Dr C.H.O.A.D., high from his lofty perch, had zero mix to work off of, though, but, to his credit, soldiered on and kept the beats going. We still had fun and I kept the chatter rolling in between gasping for air and in between each song. It was a good place for a show that should be a packed room but maybe next time, ya' know?
This Friday, we return to Eugene and John Henry's to headline a sorta-Halloween show. We've been very well received each time we've played there thus far so let the pizza-slingin' goodness (at a place where they don't even sell the stuff) begin!
Wednesday, October 18, 2006
Are we the kiss of death?
I'm beginning to wonder...
First, we had our good friends Stay Tuned lose their drummer a little while back. Not an easy replacement under the best of circumstances but, for them, you gotta be an outstanding technical drummer and be able to do vocals AND be able to gush with enthusiasm at the unadulterated joy of ST's music.
Now, I see that Sex Pistols Experience are looking for a replacement Sid/Kid Vicious. Since we just played with them at the end of last month this comes a little too close to home, doesn't it?
We, of course, have no clue about these since everyone seemed happy enough when they played with us. Maybe they had no idea that our fatcore glee would spell the end?
Current mood is "creeped out."
First, we had our good friends Stay Tuned lose their drummer a little while back. Not an easy replacement under the best of circumstances but, for them, you gotta be an outstanding technical drummer and be able to do vocals AND be able to gush with enthusiasm at the unadulterated joy of ST's music.
Now, I see that Sex Pistols Experience are looking for a replacement Sid/Kid Vicious. Since we just played with them at the end of last month this comes a little too close to home, doesn't it?
We, of course, have no clue about these since everyone seemed happy enough when they played with us. Maybe they had no idea that our fatcore glee would spell the end?
Current mood is "creeped out."
Sunday, October 15, 2006
Stu-stu-studio Seven and a return to Seattle
(borrowed liberally from Foil's own blog...)
Friday night was the 'fats show at Studio Seven in lovely Seattle, WA.
We got up early to avoid the I-5 traffic (which was mostly successful) and checked into our motel which was about a half-mile or so from the gig. The gig was in industrial South Seattle (a bit south of the Safeco Field), so you can imagine that the neighborhood (and our motel) was pretty lively and colorful. The place seemed populated by johns, meth heads, and other petty criminal types, but they were all completely (h)armless.
We crashed out for a bit in our room then headed to the club about 6:00 and loaded in our gear. The club itself was really nice, in a divey kind of way. The building had seen much better days, but it was big, had a nice stage, a decent bar, a great sound system, and one of the larger backstage/green room areas we've ever encountered.
The two bands we didn't know, Shadowcard and Dissonance, were nowhere to be seen yet. However, out behind the club we noticed Mike's bass player JV, his guitar player Jason watching Mike and his drummer (and our old pal from our Hoboken show) Quincy on the ground rummaging around beneath their motorhome. We all said our hellos, and were asked by the guys if we had any new merch designs. We told them that we had a new print of the "chubby skull" Ts and they were quite stoked. JV even said, "Dude, I'll wear your entire line of clothing!"
Apparently, between SF and Portland, the tread came off a front tire, rupturing the septic tank (and spilling shit and piss all over the highway) as well as putting a small hole in the gas tank - not big enough to make travelling impossible, but enough to severly cramp their MPG as well as make them start seriously worrying about the whole thing going up in flames.
Mmmm...touring is fun.
Turnout was actually pretty decent - much better than the last couple of shows we've played with Mike and the guys - course, those were in Portland on a weeknight and very poorly promoted. That latter fact seems a bit endemic to PDX, our hometown - the perception is that the right people will just find out about the "good" shows by word-of-mouth or some such garbage. Not being quite the darlings of the hipster community some of the clubs in this town (and some of the weekly local rags) pander to, a great deal of enjoyable shows get underattended due to this arrogant ignorance. We respond well to crowds, like any band, but like to bring whatever we can to a show, blaming ourselves above all else if things go South; but especially for touring acts where this is all they do and then they get under-promoted because of they're not "cool enough" is just plain disgusting. (Removing the soapbox under me now in order to continue...)
We were lounged a bit then went on second, prolly around 9:15pm or so. Baloney and Foil, by their own admission, were woefully out of tune the entire set - but that's gonna happen. It happened all the time for the real Misfits as well. My frontman antics were on fire, though, and we won the crowd over after a few songs (and granted, going from an emo-prog opener to comedy-punk is bound to confuse an audience or two). I think once the shock wore off at this all-ages gig we were welcomed warmly. We even had a trio of guys drive up from freakin' Yelm(!) for the show. It was our now-favored "short 'n sweet" set, giving out a baker's dozen of songs in about :35 minutes. It seems to leave the best impression and my voice can hold stronger for that amount of time, it would appear. The folks working at Studio Seven were very appreciative, too, the board guy telling us afterward emphatically "When you come back here..." That always makes us feel good, too.
We were amply armed with a number of drink tickets which were used to quaff our thirst via Sparks and Red Stripe. Foil and I rapped with Quincy for awhile during this band's set. Quincy came out to see us when we played Hoboken (and bought a XXXL sized shirt). The dude is pretty hilarious, to boot. His tour stories and stories of Jersey had me rolling. He's an old friend of Michale's (they had a band together before Mike joined The Misfits), and after Michale fired his old drummer Quincy came on board. Good choice. Off stage, the dude is funny as hell, and on stage he brings a sense of humor and theatrics that really helps the set. His luchadore mask gets mad style points, too. He even said, "That's it - I'm moving to Portland and becoming your drummer!"
Speaking of the Graves' set - it was insanely good. This was, by far, the best set we've seen Graves and the guys play. First off, the setlist was spectacular. Over the last couple of years, Graves has been more and more vocal about his opinion of what his role in The Misfits legacy was and how he feels about the direction Jerry Only has taken the band. The first time we played with him, he did mostly originals and a small encore set of Misfits material from the "American Psycho" and "Famous Monsters" albums. The last time we played with him, it was about a 75%/25% split between Graves and Misfits material. This weekend, it was pretty much 50/50 including at least one song from the Danzig era. Further, his merch is embracing that period of his life. He was selling some old T-shirts from his 2000 tour fronting the Misfits, as well as his own "skeleton" T-shirt with "Michale Graves" also printed across it. I saw this as pretty much a direct "F You" to Only, since The Misfits sell the same shirt, only with "The Misfits" printed across it. And Michale also wore the same skullface makeup that he did in his stint with The Misfits (albeit covering only half his face this time).
And good for him. While we personally have no problems with Jerry Only's decisions (you just can't get mad at a guy for trying to make a living doing the only thing he knows how - if you don't wanna hear "Project 1950" then just won't buy it), we also completely understand why Graves would say something like "You know what? Screw you. I fronted this band for half a decade - about the same period of time as Danzig did. I wrote at least half of the material we released during that period. All of the best known songs from that era were ones I wrote. I also own a piece of this legacy. It's just as much mine as it is yours." Word.
The setlist echoed this newly-formed attitude, too: Some good old-school Misfits songs ("Halloween"), some Graves era Misfits songs ("Scream", "Hunting Humans", "Dig Up Her Bones" - a song that I still insist stands up with the best of the Danzig era stuff), a strong showing from the criminally underrated "Web of Dharma" album ("Casket", "1,000,000 Light Years From Her"), as well as some from the latest ("Punk Rock is Dead", "Beware"). Michale also wisely sidestepped the Gotham Road era. We even got some of the songs off of the impending new album, due out at the end of October.
The first couple of songs had a would-be heckler standing directly behind Foil and I yelling stupid hipster-ironic shit like "George Bush!" and "Bombs are cool!" between songs, showing that Seattle hipsters are not exactly good on keeping up on current events (Graves "conservative punk" past is largely that - a thing of the past. This tour, as evidenced by the "Free the West Memphis Three" shirt he wore on stage, as well as the books and pamphlets on his merch table concerning the case, is about raising awareness of the case as Damien Echols approaches his final appeal. The West Memphis Three case is hardly a conservative cause). The fact that he wasn't yelling it loud enough for the band to hear made it a futile gesture, anyway. However, after the third song in a row that he did it Foil leaned over to me and said "I'm gonna punch this guy in the face. You got my back?" I responded with, "No need - I'm waiting for him to go to the bathroom, then I'll slam his head into the wall." By that point, though the dude and his buddy were leaving the hall. Would I have really punched him? Yeah, I think I would have. And why, in God's name, would you spend $10 to see a guy you hate? Graves still got your money, dickwad. Zing!
That kinda crap annoys Foil and I to no end. The vast majority of the "Graves sucks!" crowd has never heard his solo stuff, has only a passing familiarity with his Misfits stuff, and really just knows that he penned a couple editorials for Conservative Punk and appeared on the Daily Show - three fucking years ago. I can guarantee they've never actually met the dude.
Anyway, after the show we had another beer or so and rapped with Michale and the guys for a bit. They told us that at just about every stop, someone asks them if they've heard of The Misfats. That's flattering as hell. Quincy said that we should be the poster boys of how MySpace can help promote your band (we've been getting approximately 30 to 75 friend requests per day for the last few weeks - it's been insane). Talks of another New Jersey show are underway (how soon that'll happen is anybody's guess, though - it's certainly not gonna happen this year), and Michale said to us "Anything I can do for you guys - you lemme know."
Anyway, we could care less if it's not cool or fashionable to like this guy's music. Seriously - couldn't give a shit. Last night, he fucking nailed it. More importantly, the guy has been cool as hell to us for going on three years now. That's enough for us.
Anyway, we returned to our motel room (cheap beer and hostess snacks in tow) and were advised by our meth head neighbor that "me and the old lady tend to make a lot of noise sometimes - just tellin' ya". Later on that evening, Foil witnessed a huge white cadillac driven by a sharply dressed African American gentleman drop off an extremely scantily clad woman to two men waiting in the parking lot. At that point, he figured he oughtta just go to bed and pray that nobody breaks into his car.
Nobody did.
Friday night was the 'fats show at Studio Seven in lovely Seattle, WA.
We got up early to avoid the I-5 traffic (which was mostly successful) and checked into our motel which was about a half-mile or so from the gig. The gig was in industrial South Seattle (a bit south of the Safeco Field), so you can imagine that the neighborhood (and our motel) was pretty lively and colorful. The place seemed populated by johns, meth heads, and other petty criminal types, but they were all completely (h)armless.
We crashed out for a bit in our room then headed to the club about 6:00 and loaded in our gear. The club itself was really nice, in a divey kind of way. The building had seen much better days, but it was big, had a nice stage, a decent bar, a great sound system, and one of the larger backstage/green room areas we've ever encountered.
The two bands we didn't know, Shadowcard and Dissonance, were nowhere to be seen yet. However, out behind the club we noticed Mike's bass player JV, his guitar player Jason watching Mike and his drummer (and our old pal from our Hoboken show) Quincy on the ground rummaging around beneath their motorhome. We all said our hellos, and were asked by the guys if we had any new merch designs. We told them that we had a new print of the "chubby skull" Ts and they were quite stoked. JV even said, "Dude, I'll wear your entire line of clothing!"
Apparently, between SF and Portland, the tread came off a front tire, rupturing the septic tank (and spilling shit and piss all over the highway) as well as putting a small hole in the gas tank - not big enough to make travelling impossible, but enough to severly cramp their MPG as well as make them start seriously worrying about the whole thing going up in flames.
Mmmm...touring is fun.
Turnout was actually pretty decent - much better than the last couple of shows we've played with Mike and the guys - course, those were in Portland on a weeknight and very poorly promoted. That latter fact seems a bit endemic to PDX, our hometown - the perception is that the right people will just find out about the "good" shows by word-of-mouth or some such garbage. Not being quite the darlings of the hipster community some of the clubs in this town (and some of the weekly local rags) pander to, a great deal of enjoyable shows get underattended due to this arrogant ignorance. We respond well to crowds, like any band, but like to bring whatever we can to a show, blaming ourselves above all else if things go South; but especially for touring acts where this is all they do and then they get under-promoted because of they're not "cool enough" is just plain disgusting. (Removing the soapbox under me now in order to continue...)
We were lounged a bit then went on second, prolly around 9:15pm or so. Baloney and Foil, by their own admission, were woefully out of tune the entire set - but that's gonna happen. It happened all the time for the real Misfits as well. My frontman antics were on fire, though, and we won the crowd over after a few songs (and granted, going from an emo-prog opener to comedy-punk is bound to confuse an audience or two). I think once the shock wore off at this all-ages gig we were welcomed warmly. We even had a trio of guys drive up from freakin' Yelm(!) for the show. It was our now-favored "short 'n sweet" set, giving out a baker's dozen of songs in about :35 minutes. It seems to leave the best impression and my voice can hold stronger for that amount of time, it would appear. The folks working at Studio Seven were very appreciative, too, the board guy telling us afterward emphatically "When you come back here..." That always makes us feel good, too.
We were amply armed with a number of drink tickets which were used to quaff our thirst via Sparks and Red Stripe. Foil and I rapped with Quincy for awhile during this band's set. Quincy came out to see us when we played Hoboken (and bought a XXXL sized shirt). The dude is pretty hilarious, to boot. His tour stories and stories of Jersey had me rolling. He's an old friend of Michale's (they had a band together before Mike joined The Misfits), and after Michale fired his old drummer Quincy came on board. Good choice. Off stage, the dude is funny as hell, and on stage he brings a sense of humor and theatrics that really helps the set. His luchadore mask gets mad style points, too. He even said, "That's it - I'm moving to Portland and becoming your drummer!"
Speaking of the Graves' set - it was insanely good. This was, by far, the best set we've seen Graves and the guys play. First off, the setlist was spectacular. Over the last couple of years, Graves has been more and more vocal about his opinion of what his role in The Misfits legacy was and how he feels about the direction Jerry Only has taken the band. The first time we played with him, he did mostly originals and a small encore set of Misfits material from the "American Psycho" and "Famous Monsters" albums. The last time we played with him, it was about a 75%/25% split between Graves and Misfits material. This weekend, it was pretty much 50/50 including at least one song from the Danzig era. Further, his merch is embracing that period of his life. He was selling some old T-shirts from his 2000 tour fronting the Misfits, as well as his own "skeleton" T-shirt with "Michale Graves" also printed across it. I saw this as pretty much a direct "F You" to Only, since The Misfits sell the same shirt, only with "The Misfits" printed across it. And Michale also wore the same skullface makeup that he did in his stint with The Misfits (albeit covering only half his face this time).
And good for him. While we personally have no problems with Jerry Only's decisions (you just can't get mad at a guy for trying to make a living doing the only thing he knows how - if you don't wanna hear "Project 1950" then just won't buy it), we also completely understand why Graves would say something like "You know what? Screw you. I fronted this band for half a decade - about the same period of time as Danzig did. I wrote at least half of the material we released during that period. All of the best known songs from that era were ones I wrote. I also own a piece of this legacy. It's just as much mine as it is yours." Word.
The setlist echoed this newly-formed attitude, too: Some good old-school Misfits songs ("Halloween"), some Graves era Misfits songs ("Scream", "Hunting Humans", "Dig Up Her Bones" - a song that I still insist stands up with the best of the Danzig era stuff), a strong showing from the criminally underrated "Web of Dharma" album ("Casket", "1,000,000 Light Years From Her"), as well as some from the latest ("Punk Rock is Dead", "Beware"). Michale also wisely sidestepped the Gotham Road era. We even got some of the songs off of the impending new album, due out at the end of October.
The first couple of songs had a would-be heckler standing directly behind Foil and I yelling stupid hipster-ironic shit like "George Bush!" and "Bombs are cool!" between songs, showing that Seattle hipsters are not exactly good on keeping up on current events (Graves "conservative punk" past is largely that - a thing of the past. This tour, as evidenced by the "Free the West Memphis Three" shirt he wore on stage, as well as the books and pamphlets on his merch table concerning the case, is about raising awareness of the case as Damien Echols approaches his final appeal. The West Memphis Three case is hardly a conservative cause). The fact that he wasn't yelling it loud enough for the band to hear made it a futile gesture, anyway. However, after the third song in a row that he did it Foil leaned over to me and said "I'm gonna punch this guy in the face. You got my back?" I responded with, "No need - I'm waiting for him to go to the bathroom, then I'll slam his head into the wall." By that point, though the dude and his buddy were leaving the hall. Would I have really punched him? Yeah, I think I would have. And why, in God's name, would you spend $10 to see a guy you hate? Graves still got your money, dickwad. Zing!
That kinda crap annoys Foil and I to no end. The vast majority of the "Graves sucks!" crowd has never heard his solo stuff, has only a passing familiarity with his Misfits stuff, and really just knows that he penned a couple editorials for Conservative Punk and appeared on the Daily Show - three fucking years ago. I can guarantee they've never actually met the dude.
Anyway, after the show we had another beer or so and rapped with Michale and the guys for a bit. They told us that at just about every stop, someone asks them if they've heard of The Misfats. That's flattering as hell. Quincy said that we should be the poster boys of how MySpace can help promote your band (we've been getting approximately 30 to 75 friend requests per day for the last few weeks - it's been insane). Talks of another New Jersey show are underway (how soon that'll happen is anybody's guess, though - it's certainly not gonna happen this year), and Michale said to us "Anything I can do for you guys - you lemme know."
Anyway, we could care less if it's not cool or fashionable to like this guy's music. Seriously - couldn't give a shit. Last night, he fucking nailed it. More importantly, the guy has been cool as hell to us for going on three years now. That's enough for us.
Anyway, we returned to our motel room (cheap beer and hostess snacks in tow) and were advised by our meth head neighbor that "me and the old lady tend to make a lot of noise sometimes - just tellin' ya". Later on that evening, Foil witnessed a huge white cadillac driven by a sharply dressed African American gentleman drop off an extremely scantily clad woman to two men waiting in the parking lot. At that point, he figured he oughtta just go to bed and pray that nobody breaks into his car.
Nobody did.
Thursday, September 28, 2006
Fantasy time
A possibility in the future? We'll still have to have our lawyers fight out the copyright issues...

Makes me laugh, anyway...
Upcoming shows:
- Friday, Oct. 13th
w/ Michale Graves
$10 tix in advance from TicketsWest
Studio Seven
110 S Horton
Seattle, WA 98134
- possibly on Friday, Oct. 20th, in Portland; need to confirm with venue
- Friday, Oct. 27th
Halloween show!
Price and accompaniment TBD
John Henry's
77 W. Broadway
Eugene, OR
(541) 342-3358
Upcoming shows:
- Friday, Oct. 13th
w/ Michale Graves
$10 tix in advance from TicketsWest
Studio Seven
110 S Horton
Seattle, WA 98134
- possibly on Friday, Oct. 20th, in Portland; need to confirm with venue
- Friday, Oct. 27th
Halloween show!
Price and accompaniment TBD
John Henry's
77 W. Broadway
Eugene, OR
(541) 342-3358
Friday, September 22, 2006
Good to be back at it...
Yes, youth of today, the Misfats are finally playing shows again after taking the summer off to bask in the glow of our own self-importance.
We had the pleasure to play with the Sex Pistols Experience, a fully-endorsed, full-blown cover act from Limeyland and well worth the price of admission. We travelled through the pouring rain on Wednesday to play with just them at the WOW Hall in Eugene. The geniuses at the Eugene Weakly listed the flyer with the date of the show as, "Thursday, Aug. 24th" - they didn't even get the day of the week right much less the actual date. I thought the SPE drummer was literally going to curbstomp somebody over that one...Perhaps the audience inclusion of Jerry Baloney's oh-so-proud parents prevented utter disaster? Only historians will be able to make the call.
Needless to say the show was a bit underattended considering the venue. I think we still had around 50 kind souls come out but, in a place like WOW, they get kinda lost to the space (as you can see in the picture). It was also either a "rough set" or "good practice" for us, being on the stage for the first time in over three months. The fans seemed to enjoy it which is a win for us at all-ages shows. Young readers, just be secure enough in your punk rawk to mock it, okay? Really, it's okay to do that - maybe even more punk! (Yeah, I played that card.)
Forced to play through our lovely bargain gear SPE didn't hold back and had a ball. Their lengthy set covers all the Pistols' hits plus the "unacknowledged" period minus Lydon - which SPE also mimicked nicely by having their Lydon leave and their Sid get up front and even more vocally aggressive. Their Steve Jones doesn't look much like the original but when you can play guitar like this guy can and be a realy nice bloke to boot it doesn't really matter, does it?
The next night brought us back home to Portland. SPE and local heroes The Romanes were all onboard for another Mike Thrasher Low Dough Show at Dante's. We've done well at the venue and in that event previously and Thursday night was no exception. Relatively well-attended and definitely well received we started off the night free of the mistakes and misfires of the previous night. And, as a bonus, they had - for us - a new sound guy who really knows what the heck he's doing. My vocals were low in the monitor, sure, but that ain't a bad thing - forces me to sing louder and keep up with the rest of the band for a change. But the crowd energy was HIGHLY enthusiastic and fun so we had a good (if short) set with it all.
I got accosted leaving the stage, too, which never happens. There was a line waiting for their turn - really! One gal had just moved here from NYC and was going to make her friends jealous letting 'em know she'd moved into our territory; another gal had found a Misfats t-shirt for her fella - at a local Goodwill. Good times, friendly folks, and pictures abounded. That really made this show feel like a proper homecoming, like arriving home after a long flight or driving that last couple miles home, you know?
The Romanes were as good as always and it was fun to play with them again. SPE came charging in again, tearing through their set, abusing the crowd, and have some fun even with having to play through our gear a 2nd night. They were a might confused, though, when - in true "Low Dough Show" fashion - everyone that had spent the first 2 hours pouring in now spent the next :30 min. pouring out of the place. SPE was taking it kinda personal which is understandable especially when faced with this type of confusing situation. Later, Sid was saying that, in England, people come late (ignoring the openers) for the headliner and stay all night and get more raucous toward the end, building to that. Considering they've played the 100 Club, Times Square, and a host of other shows with clearly credible bands at notable venues I had no case to doubt him and could better understand their confusion at our home town crowd. They didn't disappoint anyone who remained, though, and were/are well worth seeing if they cruise through your town.
Our next show is in about a month, on Friday the 13th, in Seattle. We'll be opening for the always-enthusiastic Michale Graves again and, after last night's show, we feel soooooo very ready to play with him another night that we're kinda excited. The week after that we're hopefully back in PDX; then, the next Friday, we return to Eugene, to John Henry's again, for a Halloween blowout that you won't wanna miss.
Thanks, again, to all the friends and fans that came out and cheered us on. That ain't lost on us at all and we sincerely thank you all for it!
We had the pleasure to play with the Sex Pistols Experience, a fully-endorsed, full-blown cover act from Limeyland and well worth the price of admission. We travelled through the pouring rain on Wednesday to play with just them at the WOW Hall in Eugene. The geniuses at the Eugene Weakly listed the flyer with the date of the show as, "Thursday, Aug. 24th" - they didn't even get the day of the week right much less the actual date. I thought the SPE drummer was literally going to curbstomp somebody over that one...Perhaps the audience inclusion of Jerry Baloney's oh-so-proud parents prevented utter disaster? Only historians will be able to make the call.
Needless to say the show was a bit underattended considering the venue. I think we still had around 50 kind souls come out but, in a place like WOW, they get kinda lost to the space (as you can see in the picture). It was also either a "rough set" or "good practice" for us, being on the stage for the first time in over three months. The fans seemed to enjoy it which is a win for us at all-ages shows. Young readers, just be secure enough in your punk rawk to mock it, okay? Really, it's okay to do that - maybe even more punk! (Yeah, I played that card.)
Forced to play through our lovely bargain gear SPE didn't hold back and had a ball. Their lengthy set covers all the Pistols' hits plus the "unacknowledged" period minus Lydon - which SPE also mimicked nicely by having their Lydon leave and their Sid get up front and even more vocally aggressive. Their Steve Jones doesn't look much like the original but when you can play guitar like this guy can and be a realy nice bloke to boot it doesn't really matter, does it?
The next night brought us back home to Portland. SPE and local heroes The Romanes were all onboard for another Mike Thrasher Low Dough Show at Dante's. We've done well at the venue and in that event previously and Thursday night was no exception. Relatively well-attended and definitely well received we started off the night free of the mistakes and misfires of the previous night. And, as a bonus, they had - for us - a new sound guy who really knows what the heck he's doing. My vocals were low in the monitor, sure, but that ain't a bad thing - forces me to sing louder and keep up with the rest of the band for a change. But the crowd energy was HIGHLY enthusiastic and fun so we had a good (if short) set with it all.
I got accosted leaving the stage, too, which never happens. There was a line waiting for their turn - really! One gal had just moved here from NYC and was going to make her friends jealous letting 'em know she'd moved into our territory; another gal had found a Misfats t-shirt for her fella - at a local Goodwill. Good times, friendly folks, and pictures abounded. That really made this show feel like a proper homecoming, like arriving home after a long flight or driving that last couple miles home, you know?
The Romanes were as good as always and it was fun to play with them again. SPE came charging in again, tearing through their set, abusing the crowd, and have some fun even with having to play through our gear a 2nd night. They were a might confused, though, when - in true "Low Dough Show" fashion - everyone that had spent the first 2 hours pouring in now spent the next :30 min. pouring out of the place. SPE was taking it kinda personal which is understandable especially when faced with this type of confusing situation. Later, Sid was saying that, in England, people come late (ignoring the openers) for the headliner and stay all night and get more raucous toward the end, building to that. Considering they've played the 100 Club, Times Square, and a host of other shows with clearly credible bands at notable venues I had no case to doubt him and could better understand their confusion at our home town crowd. They didn't disappoint anyone who remained, though, and were/are well worth seeing if they cruise through your town.
Our next show is in about a month, on Friday the 13th, in Seattle. We'll be opening for the always-enthusiastic Michale Graves again and, after last night's show, we feel soooooo very ready to play with him another night that we're kinda excited. The week after that we're hopefully back in PDX; then, the next Friday, we return to Eugene, to John Henry's again, for a Halloween blowout that you won't wanna miss.
Thanks, again, to all the friends and fans that came out and cheered us on. That ain't lost on us at all and we sincerely thank you all for it!
Tuesday, September 12, 2006
Wednesday, 20 Sept., and Thursday, 21 Sept.
Two shows in one week, first in Eugene then in Portland - what gives?
Also, if you are immoblized or drunkenly retarded and miss these great shows, October's filling up with lots of shows along the I-5 corridor nicely. Keep your fat lids propped up for those haps, teens, and you won't be disappointed.
Also, if you are immoblized or drunkenly retarded and miss these great shows, October's filling up with lots of shows along the I-5 corridor nicely. Keep your fat lids propped up for those haps, teens, and you won't be disappointed.
Wednesday, August 02, 2006
The Returninging
Oh, hi, teens! The Hamzinger here laying some show news on you. I know, I know - it's been awhile since we've graced our local Food Fiends Club (Sammich). Realize, tho', that your true rawk superiors, The Misfats, have been busy basking in the glory of a fabulous East Coast tour. Add the sweltering heat that's finally, thankfully, left us alone (it's God's making the portly suffer - with Nature!) and two wonderful brewfests catering to the engorgement process and you've got some busy, lazy mofos.
But we shall tarry no longer! Behold!:
Sept. 21st, Dante's - Low Dough Show (that means it's only $5!)
w/ The Sex Pistols Experience (apparently really from Engaland) and our good pals The Romanes
Sept. 30th, the Tonic Lounge - with Sons of Calculon!
Oct. 5th, potentially with 800 Octane and The Independents, in PDX
Oct. 6th, potentially in Salem with Sons of Calculon again!
Oct., Halloween, in Seattle, hopefully
But we shall tarry no longer! Behold!:
Sept. 21st, Dante's - Low Dough Show (that means it's only $5!)
w/ The Sex Pistols Experience (apparently really from Engaland) and our good pals The Romanes
Sept. 30th, the Tonic Lounge - with Sons of Calculon!
Oct. 5th, potentially with 800 Octane and The Independents, in PDX
Oct. 6th, potentially in Salem with Sons of Calculon again!
Oct., Halloween, in Seattle, hopefully
Tuesday, June 13, 2006
Misfat-mania
Jeez, louise...
Exhausted and exhilarated, the Misfats have accomplished some mighty works in the past few days, folks, so we're tired and thrilled and want to relay it all to you perfectly. So give us a bit to do that, huh?
For those out o' the loop, the Misfats departed the ample bosom of Portland, OR, for as-big-as-a-tour-gets-for-us travelouge on the east coast last Wednesday and returned this day's previous night (no thanks to United Airlines, btw). We flew into Boston, MA, spent the following day in its safe confines, then headed to Providence, RI, and the Living Room to partake of a Darkbuster-headlined show.
Enjoying and reveling in that chaos, we then hauled ass outta town to get to NYC proper. Or, at least, as proper as City Island lets you be. Dan from Crafty Records holds an annual multi-band BBQ at his place, in the backyard, so we crowded in there with many other folks for lots of memory-inducing pop-punk bands and then us. I'll just say that when you have people crowdsurfing at a backyard bbq on a Saturday afternoon you know you're doing something good. Also finally met Bill from The Shemps that day, the band we seem destined to never play with, no matter what we both try.
Heading into the city (our hotel was on the corner of E 27th & Madison) we then partook of its richness deeply and to the expense of our bowels. Thanks to Jed for helping lead the charge that night, too.
The next day was the Puerto Rican parade day but just north of us so we didn't get trapped by any of it. We did tool around a bit before finally heading over to Hoboken, to play at Maxwell's. Prior to that we'd been invited to another backyard BBQ, just with eating this time. Lots of friendly and enthusiastic folks out that way, too, just like our other stops, putting on a great spread for us and treating us all really, really well. The show was well attended, especially for a Sunday night, with Love Cinema vol. 6 being our direct opener. Enthusiasm was overwhelming yet again and it was the perfect way to end this Left Coast jaunt of ours.
More details will come later as we collectively flesh out each of these days and shows. Again, much, much, much thanks to all the patrons, fans, supporters, well-wishers, band members, and drunkards we came across and talked, laughed, ate, and drank with. You guys are alright, no matter what anyone out here might say. We're gonna be riding this high for quite some time...so we just want to say, "Thank you - good night!"
Exhausted and exhilarated, the Misfats have accomplished some mighty works in the past few days, folks, so we're tired and thrilled and want to relay it all to you perfectly. So give us a bit to do that, huh?
For those out o' the loop, the Misfats departed the ample bosom of Portland, OR, for as-big-as-a-tour-gets-for-us travelouge on the east coast last Wednesday and returned this day's previous night (no thanks to United Airlines, btw). We flew into Boston, MA, spent the following day in its safe confines, then headed to Providence, RI, and the Living Room to partake of a Darkbuster-headlined show.
Enjoying and reveling in that chaos, we then hauled ass outta town to get to NYC proper. Or, at least, as proper as City Island lets you be. Dan from Crafty Records holds an annual multi-band BBQ at his place, in the backyard, so we crowded in there with many other folks for lots of memory-inducing pop-punk bands and then us. I'll just say that when you have people crowdsurfing at a backyard bbq on a Saturday afternoon you know you're doing something good. Also finally met Bill from The Shemps that day, the band we seem destined to never play with, no matter what we both try.
Heading into the city (our hotel was on the corner of E 27th & Madison) we then partook of its richness deeply and to the expense of our bowels. Thanks to Jed for helping lead the charge that night, too.
The next day was the Puerto Rican parade day but just north of us so we didn't get trapped by any of it. We did tool around a bit before finally heading over to Hoboken, to play at Maxwell's. Prior to that we'd been invited to another backyard BBQ, just with eating this time. Lots of friendly and enthusiastic folks out that way, too, just like our other stops, putting on a great spread for us and treating us all really, really well. The show was well attended, especially for a Sunday night, with Love Cinema vol. 6 being our direct opener. Enthusiasm was overwhelming yet again and it was the perfect way to end this Left Coast jaunt of ours.
More details will come later as we collectively flesh out each of these days and shows. Again, much, much, much thanks to all the patrons, fans, supporters, well-wishers, band members, and drunkards we came across and talked, laughed, ate, and drank with. You guys are alright, no matter what anyone out here might say. We're gonna be riding this high for quite some time...so we just want to say, "Thank you - good night!"
Tuesday, June 06, 2006
Ah, Ash St. be a lady - yarrr
This past weekend found us yet again in the comfy confines of downtown hometown PDX and the Ash St. Saloon. We were bringing the combined tributaries of the Romanes and Blondage all together for the pleasantly successful "Return to CBGB's" bill. The same evening also happened to coincide with the start of the Rose Festival and the Starlight Parade (featuring the Hamzinger's gorgeous bride!) wherein the streets of the outlying trailer parks disgorge their inhabitants upon downtown. This makes for great people-watching and horrible traffic; add some rain to it all and the turnout for our show wasn't nearly as packed as we'd hoped - BUT it was still packed with quality, fo' sho'. We had to get downtown early enough to claim parking, too, which made for a long-ass day spent drinking quite a number of pints at the daylight-friendly new Thirsty Lion pub next door. Oh, and also, many thanks to part of our Sea-town fan-base finding their way down to, in the Cap'n's own words, "get his fix!" of us.
The Romanes kicked things off this time 'round (being the 3rd appearance of this wondrous lineup) and, let their rough beginning fuel their 3-chord mania through an intensive set. I think their Pinhead made a painful stage hop at the end of the set, tho', as he was nursing a very sore ankle; hopefully that was all it was and nothing worse.
Blondage was, as ever, out-freakin'-standing. Like the Romanes, too, they're just a nice group of people to hang around and wait for the show with. The Blondage set proved, I think, to be the most crowd-pleasing portion of the night, too. I think that comes with playing 2nd inherently or, at least, the opportunity to excel on the night does. People have actually made their way into the place by then and are drunk enough to enjoy/crowd to the front/dance. They always seem to hold back for the first band, and I'm furthering my highly-scientific analysis here by saying that they're most likely just not plain drunk enough yet to fully express themselves. The Blondage set was also well attended with probably the highest number of dancing female audience members I've ever seen at a show we've been associated with (we get some, believe me, but, well, you know...). Ash St. Sound Gal Heather responded with a strange PA mix of older dance songs that the audience members ate up, staying to dance until we hit about our first chord.
Taking an alphabetized approach to our set list, we kicked off with "288" and basically proceeded Sesame Street-style from there on out. We had a decent, enthusiastic crowd remaining, too, which always feels just plain great. I had a number of friends in attendance that hadn't either seen us at all previously or had but it had been awhile. That latter group could then shiver in wetness over our vastly-improved skills and show. No, really. I mean, it's us but, you know... We were pleased that we didn't just plain die on-stage physically. It also gave us some extra preparation and fundage for the upcoming East Coast touring. I'll try, faithful readers, to update this site with all of the goings-on for that series of three shows, once we return, triumphant and exhausted!
The Romanes kicked things off this time 'round (being the 3rd appearance of this wondrous lineup) and, let their rough beginning fuel their 3-chord mania through an intensive set. I think their Pinhead made a painful stage hop at the end of the set, tho', as he was nursing a very sore ankle; hopefully that was all it was and nothing worse.
Blondage was, as ever, out-freakin'-standing. Like the Romanes, too, they're just a nice group of people to hang around and wait for the show with. The Blondage set proved, I think, to be the most crowd-pleasing portion of the night, too. I think that comes with playing 2nd inherently or, at least, the opportunity to excel on the night does. People have actually made their way into the place by then and are drunk enough to enjoy/crowd to the front/dance. They always seem to hold back for the first band, and I'm furthering my highly-scientific analysis here by saying that they're most likely just not plain drunk enough yet to fully express themselves. The Blondage set was also well attended with probably the highest number of dancing female audience members I've ever seen at a show we've been associated with (we get some, believe me, but, well, you know...). Ash St. Sound Gal Heather responded with a strange PA mix of older dance songs that the audience members ate up, staying to dance until we hit about our first chord.
Taking an alphabetized approach to our set list, we kicked off with "288" and basically proceeded Sesame Street-style from there on out. We had a decent, enthusiastic crowd remaining, too, which always feels just plain great. I had a number of friends in attendance that hadn't either seen us at all previously or had but it had been awhile. That latter group could then shiver in wetness over our vastly-improved skills and show. No, really. I mean, it's us but, you know... We were pleased that we didn't just plain die on-stage physically. It also gave us some extra preparation and fundage for the upcoming East Coast touring. I'll try, faithful readers, to update this site with all of the goings-on for that series of three shows, once we return, triumphant and exhausted!
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